{"id":9600,"date":"2026-02-03T10:57:36","date_gmt":"2026-02-03T10:57:36","guid":{"rendered":"https:\/\/www.aravalifilmfestival.in\/?page_id=9600"},"modified":"2026-02-26T07:12:02","modified_gmt":"2026-02-26T07:12:02","slug":"previous-edition-2021","status":"publish","type":"page","link":"https:\/\/www.aravalifilmfestival.in\/oldweb\/previous-edition-2021\/","title":{"rendered":"Previous Edition 2021"},"content":{"rendered":"

[vc_row css=”.vc_custom_1772089833133{margin-top: 56px !important;}”][vc_column][vc_custom_heading text=”Previous Edition 2021″ font_container=”tag:h1|font_size:42px|text_align:center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”2021 Award Winner” font_container=”tag:h2|text_align:center”][vc_column_text]

\n \n \n \n \n \n \n \n <\/colgroup>\n <\/table>\n \n \n \n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Finalist films 2021″ font_container=”tag:h2|text_align:center”][vc_custom_heading text=”Note: E-Certificates will be sent by e-mail to the submitters after the event” font_container=”tag:p|text_align:center”][vc_column_text]
\n\t
\n\t\t\t
\n\t\t
\n \n
\n \n \"Hesar\n
\n
\n \t

Hesar (Gate)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"The\n
\n
\n \t

The Patagonia Triple Crown<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Living\n
\n
\n \t

Living Idle<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Good\n
\n
\n \t

Good Man – Honour your Father and Mother<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Save\n
\n
\n \t

Save our Planet<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Wildlife-\n
\n
\n \t

Wildlife- Our Lifeblood<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Coastal\n
\n
\n \t

Coastal Requiem<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"One\n
\n
\n \t

One Night In Tehran<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Exposure\"\n
\n
\n \t

Exposure<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"ECHO\"\n
\n
\n \t

ECHO<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"THE\n
\n
\n \t

THE GERMAN KING (dir. M’Cormack)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"PILA\u0301TUS\n
\n
\n \t

PILA\u0301TUS – PILATE (dir. Dombrovsky)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"FLOWERS\n
\n
\n \t

FLOWERS (dir. Daskarolis)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"STICKER\"\n
\n
\n \t

STICKER<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Skin\"\n
\n
\n \t

Skin<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"XY\n
\n
\n \t

XY (dir. La\u0301rusdo\u0301ttir)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"We\n
\n
\n \t

We have to rethink everything<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Cigarette\"\n
\n
\n \t

Cigarette<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"A\n
\n
\n \t

A Bloody Mess<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Feel\n
\n
\n \t

Feel India<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Braided\n
\n
\n \t

Braided Prayer: The Making Of White Moon<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Paath\n
\n
\n \t

Paath ( The Lesson)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Limit\"\n
\n
\n \t

Limit<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Zulfi\"\n
\n
\n \t

Zulfi<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Love\n
\n
\n \t

Love X Bites<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"If\n
\n
\n \t

If you love her, let her go<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"The\n
\n
\n \t

The McHenry Trial \u2013 Don\u2019t Judge a Kid by Their Hoodie<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"LASTCALL\"\n
\n
\n \t

LASTCALL<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"The\n
\n
\n \t

The Living Tableau<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Kiss\n
\n
\n \t

Kiss the Ground<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Sab\n
\n
\n \t

Sab Rab De Bande (We’re all God’s Creation)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Jungle\n
\n
\n \t

Jungle is my garden<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"EXTERNAL\"\n
\n
\n \t

EXTERNAL<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"“Behind\n
\n
\n \t

“Behind the Name SHAKESPEARE: Power, Lust, Scorn & Scandal”<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Before\n
\n
\n \t

Before I Die<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"D\u1eccL\u00c1P\u1ecc\u0300\n
\n
\n \t

D\u1eccL\u00c1P\u1ecc\u0300 IS FINE<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t

\n\n\n\n\n\n\n
Nomadic Alternative<\/td>\nDirector<\/td>\n<\/tr>\n
Farnaz Ohadi<\/td>\nDirector<\/td>\n<\/tr>\n
Nelson Garcia Leal<\/td>\nWriter<\/td>\n<\/tr>\n
Xocitl Garcia Leal<\/td>\nWriter<\/td>\n<\/tr>\n
Farnaz Ohadi<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"The\n <\/div>\n \n
\n
\n

The Patagonia Triple Crown<\/h2>

A group of kayakers find themselves in the difficult mission of running the three less explored and most dangerous rivers of the south of the world.
\nThe Pascua River, Bravo and Baker. They will overcome the difficult tests that the patagonia will put on them, in addition they will learn about of the complicated environmental situation that Chile is suffering in its fight for fresh water.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Nomade Media<\/td>\nDirector<\/td>\n<\/tr>\n
Lorenzo Andrade Astorga<\/td>\nWriter<\/td>\n<\/tr>\n
Lorenzo Andrade Astorga<\/td>\nProducer<\/td>\n<\/tr>\n
Evan Garcia<\/td>\nKey Cast<\/td>\n<\/tr>\n
Martin Specht<\/td>\nKey Cast<\/td>\n<\/tr>\n
Eric Parker<\/td>\nKey Cast<\/td>\n<\/tr>\n
Jared Seiler<\/td>\nKey Cast<\/td>\n<\/tr>\n
todd Wells<\/td>\nKey Cast<\/td>\n<\/tr>\n
Kyle Hull<\/td>\nKey Cast<\/td>\n<\/tr>\n
Diego Astorga<\/td>\nKey Cast<\/td>\n<\/tr>\n
Lorenzo Andrade<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Living\n <\/div>\n \n
\n
\n

Living Idle<\/h2>

Living Idle
\nMovie Short<\/p>\n

Living Idle is a symbolic short film that reflects actions have consequences.<\/p>\n

This is the story of an artist – a creative sculptor of idols,
\nthat puts life and colour into clusters of mud and clay.
\nIronically, he fails to add colour to his own creation- his world, his family, his child.<\/p>\n

The narrative revolves around how a creation of the sculptor-
\nan idol of Goddess Durga punishes him (by rendering him indisposed and idle),
\nwhen he crosses all limits of abuse and shows him a life of yearning.
\nThe film concludes with a deep dawn of realisation – of how a single action-
\ntakes away from him his ability to be a prolific sculptor-
\nthat of clay and stone and that of his child’s future.<\/p>\n

The film is embedded with contrasting symbolism, as aptly reflected in its title,
\nmost strongly that of the strength of a woman, of a mother, which is –
\nrepresentative in Goddess Durga’s rendition of ‘Good over Evil’.<\/p>\n

IMDB :
\nhttp:\/\/www.imdb.com\/title\/tt6126410\/?ref_=ttfc_fc_tt<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Mrs.Satyaramana & Mr.Ramana<\/td>\nProducer<\/td>\n<\/tr>\n
Ramana<\/td>\nDirector<\/td>\n<\/tr>\n
Anil Charnjeett<\/td>\nKey Cast(Lead Actor)<\/td>\n<\/tr>\n
Geetanjali Mishra<\/td>\nKey Cast(Lead Actress)<\/td>\n<\/tr>\n
Aaliya Shaikh<\/td>\nSupporting Cast(Child Artist(Baby))<\/td>\n<\/tr>\n
Alfiya Shaikh<\/td>\nSupporting Cast(Child Artist)<\/td>\n<\/tr>\n
Ayaskant Baral<\/td>\nCinematography<\/td>\n<\/tr>\n
Varaprasad J V<\/td>\nEditing<\/td>\n<\/tr>\n
Varaprasad J V<\/td>\nOriginal Music Score<\/td>\n<\/tr>\n
Ramana<\/td>\nWriter<\/td>\n<\/tr>\n
Ramana<\/td>\nScreenplay<\/td>\n<\/tr>\n
Gautam Siddhartha<\/td>\nDialogues (Hindi)<\/td>\n<\/tr>\n
Ramana<\/td>\nArt Direction<\/td>\n<\/tr>\n
Ramana<\/td>\nProduction Design<\/td>\n<\/tr>\n
Mitesh Sawant<\/td>\nMakeup<\/td>\n<\/tr>\n
Satyaramana<\/td>\nCostume Design<\/td>\n<\/tr>\n
Vikrant studios<\/td>\nPost-Production<\/td>\n<\/tr>\n
Vikrant studios<\/td>\nVFX ( Visual Effects )<\/td>\n<\/tr>\n
Vikrant studios<\/td>\nSound Design & Soundtrack<\/td>\n<\/tr>\n
Ramana<\/td>\nPoster Design<\/td>\n<\/tr>\n
artbyramana<\/td>\nProduction<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Good\n <\/div>\n \n
\n
\n

Good Man – Honour your Father and Mother<\/h2>

A Priest willface the hard choice whether to save his soul or reliability. What on earth will he do?<\/p>\n\n\n\n\n\n\n
Daniele Zinelli<\/td>\nDirector<\/td>\n<\/tr>\n
Daniele Zinelli<\/td>\nWriter<\/td>\n<\/tr>\n
Daniele Zinelli<\/td>\nProducer<\/td>\n<\/tr>\n
Cristian Carbognani, Francesca Conti, M.Gabriella Zeni, Barbara Zinelli, Marco Frigerio, Daniele Zinelli<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Save\n <\/div>\n \n
\n
\n

Save our Planet<\/h2>

it’s a video about how human activity has damaged the fauna.<\/p>\n\n\n\n
Mayur Khushal Gada<\/td>\nDirector<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Wildlife-\n <\/div>\n \n
\n
\n

Wildlife- Our Lifeblood<\/h2>

A documentary about wildlife of Arunachal Pradesh.<\/h3>\n\n\n\n\n\n
Naresh Glow<\/td>\nDirector<\/td>\n<\/tr>\n
Naresh Glow<\/td>\nWriter<\/td>\n<\/tr>\n
Naresh Glow<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Coastal\n <\/div>\n \n
\n
\n

Coastal Requiem<\/h2>

Coastal Requiem investigates the plight of displacement due to climate change amongst five coastal communities around the globe. Weaving Diane Tuft’s photography and haikus with deeply personal interviews, the short film portrays the global climate refugee crisis due to rising sea levels.<\/p>\n\n\n\n\n\n\n\n\n
Diane Tuft<\/td>\nDirector<\/td>\n‘The Arctic Melt’ (2017)<\/td>\n<\/tr>\n
Diane Tuft<\/td>\nProducer<\/td>\n‘The Arctic Melt’ (2017)<\/td>\n<\/tr>\n
HELIX Films (Andrew Michael Ellis, Ben Stamper)<\/td>\nEditors<\/td>\nThe Wild Inside, The Deep Place, JONAH, The Weight<\/td>\n<\/tr>\n
Bill Megalos<\/td>\nCinematographer<\/td>\nAsia: Beyond the Miracle, Rebuilding Afghanistan, Caravan of Dreams<\/td>\n<\/tr>\n
Diane Tuft<\/td>\nPhotography<\/td>\n‘The Arctic Melt’ (2017)<\/td>\n<\/tr>\n
Patrick Grant<\/td>\nComposer<\/td>\nWe Are Jews from Breslau (2016), But Life Goes On (2011)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"One\n <\/div>\n \n
\n
\n

One Night In Tehran<\/h2>

Like New York, Tokyo\u060c Mumbai and all the big cities around the world, Tehran has also its own night life, mischievous and underground. In a night at Tehran, a 30 yrs girl, running away from her birthday party, looking for happiness, gets into a night cab, unaware of how her life is going to change forever.<\/p>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>

\n
\n
\n
\n \"Exposure\"\n <\/div>\n \n
\n
\n

Exposure<\/h2>

The love between two women sours. Jo (Geerteke van Lierop) and Rachel (Erica Anderson) each set off on a journey of self-reflection and contemplation as their process in dealing with the break up.<\/p>\n

Jo, a photographer, heads to Wisconsin to revisit the scenes at which she took portrait shots of Rachel on a previous trip. Finding the same locations, Jo takes a series of self portraits trying to give the project and her life meaning and artistic merit. <\/p>\n

Rachel stays in the Algarve where the two women lived. She visits her favourite, beautiful, hauntingly empty beach, again and again, searching for peace. <\/p>\n

These two journeys happen in parallel, and form the spine of the forward progression of the film. Two separate but synchronous journeys, intertwined. <\/p>\n

But there is a third story line. Their memory of the relationship: how they met, their first kiss, their love, their pain, the breakup. We see the collapse of the relationship in their mind. Each blaming the other (or each blaming themselves). We see fights, we see tender moments, we see their relationship through their memories that form a narrative, but disjointed and fragmented. Leading to a conclusion in which they might, or might not, get back together.<\/p>\n

The film is an exploration of memory and perception based on a simple, relateable event – a break-up.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
Kristjan Knigge<\/td>\nDirector<\/td>\nThe Right Juice, Second Honeymoon, Resting Place, Patch<\/td>\n<\/tr>\n
Jacquelyn Poplar<\/td>\nWriter<\/td>\n<\/td>\n<\/tr>\n
Chris Parker<\/td>\nProducer<\/td>\nThe Right Juice, Second Honeymoon<\/td>\n<\/tr>\n
Geerteke van Lierop<\/td>\nKey Cast<\/td>\nSecond Honeymoon, De Zaak Menten, Vrijland<\/td>\n<\/tr>\n
Erica Andersen<\/td>\nKey Cast<\/td>\n<\/td>\n<\/tr>\n
Chad McClarnon<\/td>\nCinematographer<\/td>\nStill Sophie, Among Us, Dady’s Little Girl<\/td>\n<\/tr>\n
BJ Boulter<\/td>\nProduction Design<\/td>\nThe Right Juice, Second Honeymoon<\/td>\n<\/tr>\n
Adam Bokesch<\/td>\nComposer<\/td>\nStill Sophie<\/td>\n<\/tr>\n
Jelle Helwig<\/td>\nEditor and Colourist<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"ECHO\"\n <\/div>\n \n
\n
\n

ECHO<\/h2>

The story of echo is about understanding and perception of wildlife and environmental abuse and its consequences on human race….<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Barzan Rostami<\/td>\nDirector<\/td>\n<\/tr>\n
Barzan Rostami<\/td>\nWriter<\/td>\n<\/tr>\n
Barzan Rostami<\/td>\nProducer<\/td>\n<\/tr>\n
Navid Tanzifian<\/td>\nanimator<\/td>\n<\/tr>\n
Vahid Tanzifyan<\/td>\nVHX<\/td>\n<\/tr>\n
Hosein Ghorchian<\/td>\nSound<\/td>\n<\/tr>\n
Farid Nouri<\/td>\nEdit<\/td>\n<\/tr>\n
Omid Uzi<\/td>\nStoryBoard<\/td>\n<\/tr>\n
Mehran Badakhshan<\/td>\ncomposer<\/td>\n<\/tr>\n
Amir Sistani<\/td>\nLogo<\/td>\n<\/tr>\n
Somaye Nili<\/td>\nRig<\/td>\n<\/tr>\n
Soran Rostami<\/td>\nTitration<\/td>\n<\/tr>\n
Barzan Rostami<\/td>\nPoster<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"THE\n <\/div>\n \n
\n
\n

THE GERMAN KING (dir. M’Cormack)<\/h2>

Set in 1914 at the start of World War I, The German King is the unbelievable true story of King Rudolf Douala Manga Bell; a German raised African prince who becomes king after his father\u2019s death. Upon returning home to Cameroon, he sees his people being subjugated and enslaved under Kaiser Wilhelm\u02bcs II oppressive colonial rule. He realizes the only way to put an end to his people\u02bcs suffering, is to lead a rebellion against the man he once considered his brother.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Adetokumboh M’Cormack<\/td>\nDirector<\/td>\n<\/tr>\n
Adetokumboh M’Cormack<\/td>\nWriter<\/td>\n<\/tr>\n
Pauley Perrette, Adetokumboh M’Cormack, Constance Ejuma, Chris Freeman, Vincent Shakir<\/td>\nProducer<\/td>\n<\/tr>\n
Adetokumboh M’Cormack<\/td>\nKey Cast<\/td>\n<\/tr>\n
Scottie Thompson<\/td>\nKey Cast<\/td>\n<\/tr>\n
Constance Ejuma<\/td>\nKey Cast<\/td>\n<\/tr>\n
Raphael Corkhill<\/td>\nKey Cast<\/td>\n<\/tr>\n
Markus Jorgensen<\/td>\nKey Cast<\/td>\n<\/tr>\n
Justin Janowitz<\/td>\nDOP<\/td>\n<\/tr>\n
Stephonika W. Kaye<\/td>\nArt Direction<\/td>\n<\/tr>\n
Mahriama Suma, Makenzi Jordan<\/td>\nCostume Design<\/td>\n<\/tr>\n
Christopher Marino<\/td>\nSound<\/td>\n<\/tr>\n
Hanna Sturwold<\/td>\nEditor<\/td>\n<\/tr>\n
Christopher Marino<\/td>\nSound Design<\/td>\n<\/tr>\n
Theodore Ramirez<\/td>\nMusic<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"PILA\u0301TUS\n <\/div>\n \n
\n
\n

PILA\u0301TUS – PILATE (dir. Dombrovsky)<\/h2>

Anna, an elderly, village woman, is widowed. Her daughter, a big city doctor, believes that the best thing would be to take her mother in. But the relationship between Anna, torn from her own environment, and Iza, living her city life, doesn\u2019t work out; Anna slowly withers in their life together lacking genuine love.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Linda Dombrovszky<\/td>\nDirector<\/td>\n<\/tr>\n
Magda Szabo\u0301, Gyo\u0308rgy Somogyi, Sa\u0301ndor Sze\u0301lesi<\/td>\nWriter<\/td>\n<\/tr>\n
A\u0301bel Ko\u0308ves<\/td>\nProducer<\/td>\n<\/tr>\n
Ildiko\u0301 Ha\u0301mori, Anna Gyo\u0308rgyi, Re\u0301musz Szikszai, Sa\u0301ndor Terhes, Zsolt Kova\u0301cs<\/td>\nKey Cast<\/td>\n<\/tr>\n
Da\u0301vid Hartung<\/td>\nDOP<\/td>\n<\/tr>\n
Bala\u0301zs Hujber<\/td>\nArt Direction<\/td>\n<\/tr>\n
La\u0301szlo\u0301 Donko\u0301<\/td>\nCostume Design<\/td>\n<\/tr>\n
Ga\u0301bor Komlo\u0301di<\/td>\nSound<\/td>\n<\/tr>\n
A\u0301ron Mezei<\/td>\nEditor<\/td>\n<\/tr>\n
Tama\u0301s De\u0301ve\u0301nyi<\/td>\nSound Design<\/td>\n<\/tr>\n
Ba\u0301lint Bolcso\u0301<\/td>\nMusic<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"FLOWERS\n <\/div>\n \n
\n
\n

FLOWERS (dir. Daskarolis)<\/h2>

A man directs, a woman follows.<\/p>\n

When Gal opens the door to the outside, she’s immediately captivated by it. She is looking for her favourite thing in the world. But outside is not for her. <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
Ismene Daskarolis<\/td>\nDirector<\/td>\n<\/tr>\n
Ismene Daskarolis<\/td>\nWriter<\/td>\n<\/tr>\n
Ismene Daskarolis<\/td>\nProducer<\/td>\n<\/tr>\n
Catherine Dauphin, Sebastian Grygo<\/td>\nKey Cast<\/td>\n<\/tr>\n
Alessandro Marcello<\/td>\nMusic<\/td>\n<\/tr>\n
Mate Papp<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Marian Folga<\/td>\nArt Direction<\/td>\n<\/tr>\n
Marian Folga<\/td>\nCostume Design<\/td>\n<\/tr>\n
Adriano Mantova<\/td>\nSound<\/td>\n<\/tr>\n
Adriano Mantova<\/td>\nSound Design<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"STICKER\"\n <\/div>\n \n
\n
\n

STICKER<\/h2>

After an unsuccessful attempt to renew his car registration, Dejan falls in a bureaucratic trap that tests his determination to be a responsible father.<\/p>\n\n\n\n\n\n\n
Georgi M. Unkovski<\/td>\nDirector<\/td>\n<\/tr>\n
Georgi M. Unkovski<\/td>\nWriter<\/td>\n<\/tr>\n
Ivan Unkovski<\/td>\nProducer<\/td>\n<\/tr>\n
Sashko Kocev<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Skin\"\n <\/div>\n \n
\n
\n

Skin<\/h2>

A small supermarket in a blue collar town, a black man smiles at a 10 year old white boy across the checkout aisle. This innocuous moment sends two gangs into a ruthless war that ends with a shocking backlash.<\/p>\n\n\n\n\n\n\n\n
Guy Nattiv<\/td>\nDirector<\/td>\n<\/tr>\n
Guy Nattiv<\/td>\nWriter<\/td>\n<\/tr>\n
Sharon Maymon<\/td>\nProducer<\/td>\n<\/tr>\n
Jaime Ray Newman<\/td>\nProducer<\/td>\n<\/tr>\n
Jonathan Tucker, Danielle Macdonald, Ashley Thomas, Jackson Robert Scott, Lonnie Chavis<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"XY\n <\/div>\n \n
\n
\n

XY (dir. La\u0301rusdo\u0301ttir)<\/h2>

Li\u0301sa is fifteen years old and lives with her mother in the suburbs in Iceland. She is different from girls her age, but she hasn\u2019t reached puberty. She is isolated and has a big secret about herself. Regular uncomfortable doctors visits and struggling with her self image demonstrates her everyday life. She avoids her peers, especially the girls who she feels very disconnected from. One of these girls is her childhood friend Bryndi\u0301s, which Li\u0301sa has pushed away over the years. When Bryndi\u0301s is being bullied by some boys in their class Li\u0301sa decides to reach back out to her, the two reunite, leading her to tell Bryndi\u0301s about her secret. Bryndi\u0301s\u2019s curiosity and bluntness leads Li\u0301sa to discover more secrets about her body and even darker about her medical history.<\/p>\n\n\n\n\n\n\n\n\n
Anna Kari\u0301n La\u0301rusdo\u0301ttir<\/td>\nDirector<\/td>\n<\/tr>\n
Anna Kari\u0301n La\u0301rusdo\u0301ttir<\/td>\nWriter<\/td>\n<\/tr>\n
Anna Kari\u0301n La\u0301rusdo\u0301ttir<\/td>\nProducer<\/td>\n<\/tr>\n
Jaime Ray Newman, Birta Mubaraka<\/td>\nKey Cast<\/td>\n<\/tr>\n
O\u0301ttar Ingi \u00deorbergsson<\/td>\nDOP<\/td>\n<\/tr>\n
Anna Kari\u0301n La\u0301rusdo\u0301ttir<\/td>\nArt Direction, Costume Design, Editor, Sound Design<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"We\n <\/div>\n \n
\n
\n

We have to rethink everything<\/h2>

Italian winemaker Daniele Delaini notices water, sky and air becoming cleaner within only a few days during corona shutdown. In the movie he tells his German friend Martin on his observations and draws clear conclusions.<\/p>\n\n\n\n\n
Edgar Wilkening<\/td>\nDirector<\/td>\n<\/tr>\n
Edgar Wilkening<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Cigarette\"\n <\/div>\n \n
\n
\n

Cigarette<\/h2>

A woman is forced to take a big step after battling a constant inner war with herself for the amelioration of her family.<\/p>\n\n\n\n\n\n\n
Sasha Alahm<\/td>\nDirector<\/td>\n<\/tr>\n
Sasha Alahm<\/td>\nWriter<\/td>\n<\/tr>\n
Sasha Alahm<\/td>\nProducer<\/td>\n<\/tr>\n
Subir Rana, Twinkle Girdhar, Anirudh Rathour, Nicki Negi<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"A\n <\/div>\n \n
\n
\n

A Bloody Mess<\/h2>

Varsha is a young South Asian girl who battles against her family\u2019s traditional beliefs surrounding menstruation, which comes with rules prohibiting her from having an open dialogue with her father about periods. Since she was a child, Varsha has been told that while periods are normal, there are certain things she cannot do while menstruating, which manifests in Varsha\u2019s mental suffocation. This film depicts Varsha\u2019s internal struggle as she tries to strike a balance between respecting her family and her own individual autonomy.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Asis Sethi<\/td>\nDirector<\/td>\nTen For Grandpa, Handyman Superstar Challenge, The Rendezvous, A Colourful Crown, Darshan Dekh Jeeva<\/td>\n<\/tr>\n
Asis Sethi<\/td>\nWriter<\/td>\nTen For Grandpa, Handyman Superstar Challenge, The Rendezvous, A Colourful Crown, Darshan Dekh Jeeva<\/td>\n<\/tr>\n
Armin Sethi<\/td>\nWriter<\/td>\nStill, Darshan Dekh Jeeva<\/td>\n<\/tr>\n
Asis Sethi<\/td>\nProducer<\/td>\nTen For Grandpa, Handyman Superstar Challenge, The Rendezvous, A Colourful Crown, Darshan Dekh Jeeva<\/td>\n<\/tr>\n
Asis Sethi<\/td>\nProducer<\/td>\nStill, Darshan Dekh Jeeva<\/td>\n<\/tr>\n
Maria-Crystal Melo<\/td>\nKey Cast<\/td>\n\u201cAarti\u201d – Underneath: An Anthology of Terror, The Spell Tutor<\/td>\n<\/tr>\n
Annie Koshy<\/td>\nKey Cast<\/td>\n\u201cVarsha \u201d <\/td>\n<\/tr>\n
Devanshu Narang<\/td>\nKey Cast<\/td>\n\u201cSanjay\u201d – Private Eyes, Rendezvous, Self<\/td>\n<\/tr>\n
Aditya Pandya<\/td>\nKey Cast<\/td>\n\u201cVicky\u201d<\/td>\n<\/tr>\n
Emma Viola Ticsay<\/td>\nKey Cast<\/td>\n\u201cYoung Varsha\u201d<\/td>\n<\/tr>\n
Ritu Neb<\/td>\nKey Cast<\/td>\n\u201cPushpa\u201d<\/td>\n<\/tr>\n
Daniel Everitt-Lock<\/td>\nDirector of Photography <\/td>\nDragonheart 3: The Sorcerer’s Curse, Babes with Blades, It’s All About the Manners, Absolution<\/td>\n<\/tr>\n
Shwayta Sharma<\/td>\nArt Director<\/td>\nWe, Still, Who’s Next<\/td>\n<\/tr>\n
Daisy Kaur<\/td>\nAssistant Directors<\/td>\nWelcome to Canada<\/td>\n<\/tr>\n
Ratna Pardal<\/td>\nAssistant Directors<\/td>\nStill<\/td>\n<\/tr>\n
Amreen Ghouse<\/td>\nProduction Manager<\/td>\nWelcome to Canada, Who’s Next?, Still<\/td>\n<\/tr>\n
Asis Sethi<\/td>\nEditor<\/td>\nTen For Grandpa, Handyman Superstar Challenge, The Rendezvous, Darshan Dekh Jeeva, A Colourful Crown<\/td>\n<\/tr>\n
Stephen Ejbick<\/td>\nSound Design<\/td>\nLittle Mosque on the Prairie, You’re Thinking of Someone Else, Leave It to Bryan, Meet the Family, Call Me Fitz, Gangland Undercover, Reelside, Riftworld Chronicles,<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Feel\n <\/div>\n \n
\n
\n

Feel India<\/h2>

The only people who see the whole picture are the ones who step out of the frame.
\n– Salman Rushdie<\/p>\n\n\n\n\n\n
Ion Sova<\/td>\nDirector<\/td>\n<\/tr>\n
Ion Sova<\/td>\nWriter<\/td>\n<\/tr>\n
Ion Sova<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Braided\n <\/div>\n \n
\n
\n

Braided Prayer: The Making Of White Moon<\/h2>

In 2011, in response to the rise in anti-Muslim and anti-Semitic violence in the United States and around the world, three renowned musicians, from three different religions, formed a band called \u201cAbraham Jam.\u201d They hoped to do more than simply exchange ideas and art; they wanted to create music that braided these traditions and worldviews together in harmony – not singing the same notes, but singing notes that resonate. They wanted to respond to interreligious hatred by modeling a better way. This journey would include explorations of the commonalities and the differences in their faiths, searching to create a common voice that highlights the unique strengths and beliefs of each musician and each tradition. Braided Prayer is a documentary film that follows these three musicians, Billy Jonas (Jewish), David LaMotte (Christian), and Dawud Warnsby (Muslim), during the creation of their 2019 album \u201cWhite Moon\u201d and two concerts to celebrate its release.<\/p>\n\n\n\n\n\n\n\n\n\n
Johnny P Kennedy<\/td>\nDirector<\/td>\n<\/tr>\n
David Saich<\/td>\nDirector<\/td>\n<\/tr>\n
David Saich<\/td>\nWriter<\/td>\n<\/tr>\n
David LaMotte<\/td>\nProducer<\/td>\n<\/tr>\n
Dawud Warnsby<\/td>\nProducer<\/td>\n<\/tr>\n
Billy Jonas<\/td>\nProducer<\/td>\n<\/tr>\n
David LaMotte, Dawud Warnsby, Billy Jonas, <\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Paath\n <\/div>\n \n
\n
\n

Paath ( The Lesson)<\/h2>

the film is a story about a girl who becomes a victim of Bride trafficking that has been taking place in certain parts in India<\/p>\n\n\n\n\n\n\n
Karan Singh Rathore<\/td>\nDirector<\/td>\n<\/tr>\n
Karan Singh Rathore<\/td>\nWriter<\/td>\n<\/tr>\n
Ling Bhairavi Media<\/td>\nProducer<\/td>\n<\/tr>\n
Jackie Shroff, Abhilash Thapliyal, Sara Arjun<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Limit\"\n <\/div>\n \n
\n
\n

Limit<\/h2>

Someone in a quiet area asked help from the people who he sees till someone enters the house and suddenly…<\/p>\n\n\n\n\n\n\n
javad daraei<\/td>\nDirector<\/td>\n<\/tr>\n
javad daraei<\/td>\nWriter<\/td>\n<\/tr>\n
arezo balali dehkordi<\/td>\nProducer<\/td>\n<\/tr>\n
davod moeini kiya, karim gholi zade, hakha bazargan, farhad ghotbi, bardiya hoshangi, mahdis hashemi, nava moslemi, mehri majd<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Zulfi\"\n <\/div>\n \n
\n
\n

Zulfi<\/h2>

Zulfi is a story about aspirations, misplaced faith and ignorance. It subtley deals with contemporary issues in our society that has plagued millions across the wrold. Zulfi is a boy who aspires to fulfill his dreams and is supported by his mother, but it would not be easy for them to realize their dreams.<\/p>\n\n\n\n\n
Tushar Sen<\/td>\nWriter<\/td>\n<\/tr>\n
Tushar Sen<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Love\n <\/div>\n \n
\n
\n

Love X Bites<\/h2>

During Covid19 outbreak, two women enter the quarantine at a hotel and share a room. Soon, sexual tensions flare up and they find themselves in a passionate affair. But a dark secret is about to rupture this bliss.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
M. Noe<\/td>\nDirector<\/td>\n<\/tr>\n
Yupar Momo<\/td>\nDirector<\/td>\n<\/tr>\n
M. Noe<\/td>\nWriter<\/td>\n<\/tr>\n
M. Noe<\/td>\nWriter<\/td>\n<\/tr>\n
M. Noe<\/td>\nProducer<\/td>\n<\/tr>\n
Han Nwai<\/td>\nKey Cast<\/td>\n<\/tr>\n
Thiri Han<\/td>\nKey Cast<\/td>\n<\/tr>\n
Kyaw Satt Naing<\/td>\nEditor<\/td>\n<\/tr>\n
Yupar Momo<\/td>\nCinematography<\/td>\n<\/tr>\n
Yupar Momo<\/td>\nProduction Designer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"If\n <\/div>\n \n
\n
\n

If you love her, let her go<\/h2>\n\n\n\n\n\n\n\n\n
Ilan Zerrouki<\/td>\nDirector<\/td>\n<\/tr>\n
Ilan Zerrouki<\/td>\nWriter<\/td>\n<\/tr>\n
Ilan Zerrouki<\/td>\nProducer<\/td>\n<\/tr>\n
LUCAS DELESVAUX<\/td>\nKey Cast<\/td>\n<\/tr>\n
FRED TOUSCH<\/td>\nKey Cast<\/td>\n<\/tr>\n
MARION CHRISTMANN<\/td>\nKey Cast<\/td>\n<\/tr>\n
AMBRE LARRAZET<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"The\n <\/div>\n \n
\n
\n

The McHenry Trial \u2013 Don\u2019t Judge a Kid by Their Hoodie<\/h2>

A young and brilliant academic phenom who not only passes the bar exam at age 14 but finds himself defending his homeless father on a murder charge when few believe he is innocent. He faces a shrewd law firm, an old school segregationist judge, and an arrogant prosecutor who is preparing to celebrate his 50th consecutive case win.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Ken Sagoes<\/td>\nDirector<\/td>\n<\/tr>\n
Ken Sagoes<\/td>\nWriter<\/td>\n<\/tr>\n
Karen T. Bolt<\/td>\nProducer<\/td>\n<\/tr>\n
Sylvester Warren<\/td>\nKey Cast<\/td>\n<\/tr>\n
Loretta Devine<\/td>\nKey Cast<\/td>\n<\/tr>\n
Kaleb Alexander Roberts<\/td>\nKey Cast<\/td>\n<\/tr>\n
Hiram A. Murray<\/td>\nKey Cast<\/td>\n<\/tr>\n
Melvin Ward<\/td>\nKey Cast<\/td>\n<\/tr>\n
Bob Rumnock<\/td>\nKey Cast<\/td>\n<\/tr>\n
Thomas Gipson<\/td>\nKey Cast<\/td>\n<\/tr>\n
Pablo Sandstrom<\/td>\nKey Cast<\/td>\n<\/tr>\n
Kevin Flood<\/td>\nKey Cast<\/td>\n<\/tr>\n
Temple Poteat<\/td>\nKey Cast<\/td>\n<\/tr>\n
Sammie Wayne IV<\/td>\nKey Cast<\/td>\n<\/tr>\n
Michael Nelson<\/td>\nKey Cast<\/td>\n<\/tr>\n
Ronan Barbour<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"LASTCALL\"\n <\/div>\n \n
\n
\n

LASTCALL<\/h2>

Life in a ordinary cafe\u0301 is disrupted by the intrusion of a weird and authoritative woman who starts manipulating the customers as if they were puppets. In spite of themselves, they become both spectators and actors in a somewhat macabre drama. In this cafe\u0301 turned into a stage, the life of a man from his birth to his death is (being) told. The story of his fate, bound to choices that are not always choices. The story of a mysterious man, in turn surprising or frightening, maybe because deep down we are very much like him. But is it just a game? Where is the story leading us to? Are we the spectators or the actors of that life?<\/p>\n\n\n\n\n\n\n\n
Mathieu Baillargeon<\/td>\nDirector<\/td>\n<\/tr>\n
Mathieu Baillargeon<\/td>\nWriter<\/td>\n<\/tr>\n
Mathieu Baillargeon<\/td>\nProducer<\/td>\n<\/tr>\n
Jennifer Wesse<\/td>\nKey Cast<\/td>\n<\/tr>\n
Cl\u00e9ment Victor<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"The\n <\/div>\n \n
\n
\n

The Living Tableau<\/h2>\n\n\n\n\n\n\n\n
Armondo Linus Acosta<\/td>\nDirector<\/td>\n<\/tr>\n
Armondo Linus Acosta<\/td>\nWriter<\/td>\n<\/tr>\n
Sebastien Brumagne<\/td>\nProducer<\/td>\n<\/tr>\n
Vito di Virgilio<\/td>\nProducer<\/td>\n<\/tr>\n
Debora Diego<\/td>\nProducer<\/td>\n<\/tr>\n
Fabio Baccianella<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Kiss\n <\/div>\n \n
\n
\n

Kiss the Ground<\/h2>

Kiss the Ground reveals that, by regenerating the world\u2019s soils, we can completely and rapidly stabilize Earth\u2019s climate, restore lost ecosystems and create abundant food supplies. Using compelling graphics and visuals, along with striking NASA and NOAA footage, the film artfully illustrates how, by drawing down atmospheric carbon, soil is the missing piece of the climate puzzle.
\nThis movie is positioned to catalyze a movement to accomplish the impossible \u2013 to solve humanity\u2019s greatest challenge, to balance the climate and secure our species future.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Josh Tickell<\/td>\nDirector<\/td>\n<\/tr>\n
Rebecca Tickell<\/td>\nDirector<\/td>\n<\/tr>\n
Rebecca Tickell<\/td>\nWriter<\/td>\n<\/tr>\n
Rebecca Tickell<\/td>\nWriter<\/td>\n<\/tr>\n
Johnny O’Hara<\/td>\nWriter<\/td>\n<\/tr>\n
Josh Tickell<\/td>\nProducer<\/td>\n<\/tr>\n
Rebecca Tickell<\/td>\nProducer<\/td>\n<\/tr>\n
Woody Harrelson, Gisele B\u00fcndchen, Ian Somerhalder, Patricia Arquette, David Arquette, Jason Mraz<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Sab\n <\/div>\n \n
\n
\n

Sab Rab De Bande (We’re all God’s Creation)<\/h2>

Sab Rab De Bande brings forth the various challenges that LGBTQ Sikhs grapple with and the different ways in which they reconcile their faith and gender\/sexual identities. The documentary, through interviews with LGBTQ Sikhs, captures the varied experiences of queer Sikhs. Featured in the documentary are five different people with different gender and sexual identities and belonging to different parts of India. By tracking their life, the documentary seeks to find answers to questions like: Did their religious identity (and teachings) come in conflict with their sexual\/gender identity, or did they find strength in the teachings of their religion and religious identity? What was the reaction of their family when they came out? Did they oppose it in terms of religion? How did the lack of visibility and representation of queer Sikhs in media and online spaces affect them while growing up? What kind of discrimination they face within the queer community, which idolizes a clean shaved look? What did they feel growing up as a Sikh and a queer person?<\/p>\n\n\n\n\n
Sukhdeep Singh<\/td>\nDirector<\/td>\n<\/tr>\n
Sukhdeep Singh<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Jungle\n <\/div>\n \n
\n
\n

Jungle is my garden<\/h2>

A migrant girl, who dreams of England, lives on petty larceny and trafficking in Paris. A former high-ranking military man has just delivered his wife from an incurable disease and now faces a life without purpose. Between these two marginalized that nothing predestined to meet, will be forged an unwavering relationship.<\/p>\n\n\n\n\n\n\n\n\n
Enrico Alexander Giordano<\/td>\nDirector<\/td>\n<\/tr>\n
Enrico Alexander Giordano<\/td>\nWriter<\/td>\n<\/tr>\n
Elodie Franques<\/td>\nProducer<\/td>\n<\/tr>\n
Daniel Jenny<\/td>\nKey Cast<\/td>\n<\/tr>\n
Daniel JENNY<\/td>\nLead Artists<\/td>\n<\/tr>\n
Elodie Atsad\u00e9<\/td>\nLead Artists<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"EXTERNAL\"\n <\/div>\n \n
\n
\n

EXTERNAL<\/h2>

A revolutionary businessman tries to conquer the world with $2,000.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Jonathan Taub<\/td>\nDirector<\/td>\n<\/tr>\n
Leandro Taub<\/td>\nDirector<\/td>\n<\/tr>\n
Leandro Taub<\/td>\nWriter<\/td>\n<\/tr>\n
Jonathan Taub<\/td>\nProducer<\/td>\n<\/tr>\n
Leandro Taub<\/td>\nProducer<\/td>\n<\/tr>\n
Leandro Taub, Elizabeth Ehrlich, Christian Bargados<\/td>\nKey Cast<\/td>\n<\/tr>\n
Manouk van Kuyk<\/td>\nLine Producer<\/td>\n<\/tr>\n
Jesse Mickle<\/td>\nCinematographers<\/td>\n<\/tr>\n
Jonas Schneider<\/td>\nCinematographers<\/td>\n<\/tr>\n
Zee Marla Osh<\/td>\nProduction Management<\/td>\n<\/tr>\n
Alfredo Acevedo<\/td>\nPost-Production<\/td>\n<\/tr>\n
Ignacio Farias<\/td>\nArt Department<\/td>\n<\/tr>\n
Niklas Matthaei<\/td>\nSound Department<\/td>\n<\/tr>\n
Benjamin De Vuyst<\/td>\nSound Department<\/td>\n<\/tr>\n
Leandro Taub, Jonathan Taub, Benjamin De Vuyst, Alfredo Acevedo<\/td>\nEdition<\/td>\n<\/tr>\n
Ana Monta\u00f1o<\/td>\nColour Grading<\/td>\n<\/tr>\n
Emmanuel Gayosso, Mauricio Nicoli<\/td>\nSound Design<\/td>\n<\/tr>\n
Niklas Matthaei<\/td>\nFoley<\/td>\n<\/tr>\n
nfer Ch\u00e1vez, Sophia Schomberg, Nikolaus Baumgarten <\/td>\nAnimations<\/td>\n<\/tr>\n
\u00c1nfer Ch\u00e1vez<\/td>\nGraphic Design<\/td>\n<\/tr>\n
Stephan Van Kuyk<\/td>\nGraphic Design<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"“Behind\n <\/div>\n \n
\n
\n

“Behind the Name SHAKESPEARE: Power, Lust, Scorn & Scandal”<\/h2>

WHO CREATED THE GREATEST WORK OF IAMBIC THUNDER IN THE ENGLISH LANGUAGE? \u201cBehind the Name SHAKESPEARE: Power, Lust, Scorn & Scandal\u201d answers that question in this fun yet important film. It is a costume-filled journey into literary history\u2019s greatest mystery: Who really wrote the works of Shakespeare?<\/p>\n

This charming documentary is clearly a labor of love, which one can feel in every scene. The world needs it and bravo to Christina di Marlo for doing it!” — Don Rubin, Professor Emeritus, York University Editor, World Encyclopedia of Contemporary Theatre.<\/p>\n

VENICE FILM AWARDS REVIEW, 11\/11\/2020<\/p>\n

“BEHIND THE NAME SHAKESPEARE is an extraordinary one-woman show\/documentary. <\/p>\n

The exceptional Robin Phillips guides us through the exciting investigation about who is really behind the most important plays in the whole world and therefore behind the name of William Shakespeare\u2026<\/p>\n

Robin Phillips puts all her talent as an author, actress, and storyteller, playing sort of comedian detective (a brilliant choice that makes us remain glued to the screen for the whole duration of the film) but contextualized in the era we are referring to. She transforms herself several times, she steps out and gets back into the narration with delicacy and without ever being out of tune. <\/p>\n

And as a consequence of this, it’s not difficult to get involved in the typical atmosphere of the sixteenth century, also thanks to the beautiful costumes designed by Phillips herself, who also worked on the music (“Best Sound Design,” Venice Film Awards) hairstyles, make-up, and artistic direction.<\/p>\n

The documentary is full of information, anecdotes, details, and spins around two centuries, between literature, history, and art. Despite being so full of news and quotes, you can easily follow it from start to finish. Not only without ever getting bored but remaining with bated breath in search of yet another proof that helps to agree with an increasing number of groups of people who support this extraordinarily beautiful and thrilling theory. <\/p>\n

It’s difficult, after having seen it, not to want to join the chorus of voices of these artists, historians, writers, who claim that a glove maker’s son could not have created what are among the greatest masterpieces of world theater literature. And that it’s much more likely that it was the 17th Earl of Oxford, Edward de Vere, lover (to be reductive) of Queen Elizabeth, and an erudite and brilliant man of letters. <\/p>\n

Art Harman enriches the movie with his cinematography and his technical effects, which join the narrative moments in a fluid and coherent way .To quote Anna Rice, even within the documentary itself this is “very very interesting stuff”, which could not tell this crazy part of history in a better way.<\/p>\n

I challenge the public not to fall in love with this story, with their protagonists, and with Robin Phillips in this delightful documentary film, which teaches and entertains, thus remaining faithful to the primary purpose of Elizabethan theater.”<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Robin Phillips<\/td>\nDirector<\/td>\n<\/tr>\n
Christina di Marlo (aka Robin Phillips)<\/td>\nWriter<\/td>\n<\/tr>\n
Christina di Marlo (aka Robin Phillips)<\/td>\nProducer<\/td>\n<\/tr>\n
Art Harman<\/td>\nProducer<\/td>\n<\/tr>\n
Robin Phillips<\/td>\nKey Cast<\/td>\n<\/tr>\n
Robin Phillips<\/td>\nCo-Editors<\/td>\n<\/tr>\n
Art Harman<\/td>\nCo-Editors<\/td>\n<\/tr>\n
Art Harman<\/td>\nCinematographer<\/td>\n<\/tr>\n
Robin Phillips<\/td>\nArtistic Director<\/td>\n<\/tr>\n
Art Harman<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Robin Phillips<\/td>\nMusic Director<\/td>\n<\/tr>\n
Art Harman<\/td>\nDirector of Special & Technical Effects<\/td>\n<\/tr>\n
Robin Phillips<\/td>\nArtwork<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Before\n <\/div>\n \n
\n
\n

Before I Die<\/h2>

\u201cBefore I die\u201d is a non-fiction about an Environmentalist who, from his childhood days, was fascinated by the beautiful landscape of Nature. The healthier Environment that he had seen during childhood was now taken over by the human harshness. The surge in the Environmental Pollution made him feel distraught and it ached deep inside. This very Ache led him to conceive the Movement, \u201cRemove Litter, Plant Flowers\u201d, 13 years back.<\/p>\n

\u201cBefore I die\u201d is a Journey from the conception of this Movement, to its implementation, to its expansion despite ruthless challenges. It shows a permanent Solution to a crucial Problem affecting our Planet and survival and well-being of its inhabitants.<\/p>\n

This Film also reveals the disastrous consequences of the Flora and Fauna going extinct and shows many species returning to Life post this Movement.<\/p>\n

The Movement \u201cRemove Litter, Plant Flowers\u201d aims to replace Garbage with Flowers. Once saplings are planted, people stop dumping Garbage at those places and instead plants begin to grow there. It has come a long way, from distribution of 20,000 free saplings in one year to daily distribution of saplings in crores.<\/p>\n

This Film is a story of resilience in the face of protests, social boycotts, physical attacks, humiliation and scarce resources. It\u2019s a story of manic craziness of Dr. Ramji, for an Environmental Cause. <\/p>\n\n\n\n\n\n
Nakul Dev<\/td>\nDirector<\/td>\n<\/tr>\n
Nakul Dev<\/td>\nWriter<\/td>\n<\/tr>\n
Nakul Dev<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"D\u1eccL\u00c1P\u1ecc\u0300\n <\/div>\n \n
\n
\n

D\u1eccL\u00c1P\u1ecc\u0300 IS FINE<\/h2>

A story about a young black girl’s relationship with her hair and name, and how it helps her understand who she really is.<\/p>\n\n\n\n\n\n\n
Ethosheia Hylton<\/td>\nDirector<\/td>\n<\/tr>\n
Joan Iyiola<\/td>\nWriter<\/td>\n<\/tr>\n
Chibundu Onuzo<\/td>\nWriter<\/td>\n<\/tr>\n
Millie Marsh<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"The\n <\/div>\n \n
\n
\n

The Pink Band<\/h2>

A Man, wants to become a father of a baby boy, for which he can cross any limits. His wife doesn’t have any say in front of him. later he became a father of a boy whom he was very proud off. But after 17 years his son, on his birthday, reveals the ultimate secret which turns around his life.<\/p>\n\n\n\n\n\n\n
Kshipraa Ballani<\/td>\nDirector<\/td>\n<\/tr>\n
Kshipraa Ballani<\/td>\nWriter<\/td>\n<\/tr>\n
Purple Ant Media<\/td>\nProducer<\/td>\n<\/tr>\n
Akash Mishra, Chetan, Kshipra, Shikha<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"ENIGMA\n <\/div>\n \n
\n
\n

ENIGMA – The Fallen Angel<\/h2>

A seemingly perfect, yet flawed young woman has her routine appointment with the town\u2019s most renowned psychiatrist. Turns out, Richa has more than usual to share today. The 60-minute appointment is about to begin now\u2026
\nRicha Kapoor, hailing from a wealthy background has been suffering from an unusual disorder. She has been treated & experimented with everything to find the perfect cure. However, everything of this has just left her with pain, hopelessness & rage.
\nUltimately she leaves on a quest to find one herself which is when Myra Singh enters her life. A stark contrast between both of them unknowingly blossoms into a friendship, which is when Richa plans to confess Myra, the real reason behind her mood swings & erratic behavior.
\nRicha is surprisingly taken aback when Myra takes all of her pain in an extremely understanding manner & in fact, even has a cure for her. However at what cost?
\nOn a parallel track, Dr. Rajiv Menon has a diagnosis, a reveal that shall rock her to the core.
\nIt is often said that to understand whether a person is good or bad, right or wrong; it should be seen what are the choices he makes when he has to choose between his convenience & morality. ENIGMA is an extremely different take on the real, dark & selfish instincts that reside among all of us. Summing up, we need to understand the great words of Friedrich Nietzsche, \u201c He who fights his own demons, must take care he doesn\u2019t become one.\u201d<\/p>\n\n\n\n\n\n\n\n\n\n
Abhay Thakur<\/td>\nDirector<\/td>\n<\/tr>\n
Arjun Pradhan<\/td>\nWriter<\/td>\n<\/tr>\n
Abhay Thakur<\/td>\nProducer<\/td>\n<\/tr>\n
Yateen Karyekar, Ruchita Jadhav, Ananya Sengupta<\/td>\nKey Cast<\/td>\n<\/tr>\n
Ashish Mistry<\/td>\nCinematography<\/td>\n<\/tr>\n
Snnehal Thakur<\/td>\nExecutive Producers<\/td>\n<\/tr>\n
Niraj Valsangkar<\/td>\nExecutive Producers<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Colorful\n <\/div>\n \n
\n
\n

Colorful Dreams<\/h2>

When I stepped into Dashtyari Region in Baluchestan for the first time, it was even beyond my imagination to see that the region and its people would change into the most important part of my life, a very important one.
\nIn the movie \u201cColorful Dreams\u201d, despite all the \u201cnon-existing elements\u201d, I tried to talk about the \u201cexisting elements\u201d whose initiators were the same people who had been living those \u201cnon-existences\u201d for years, but after putting an end to \u201cwhy\u201ds and \u201chow\u201ds, have achieved a large portion of existences which did not exist before. To all those people who courageously fought and are fighting to make their dream<\/p>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>

\n
\n
\n
\n \"You\n <\/div>\n \n
\n
\n

You bet I dance! – Und ob ich tanze!<\/h2>

In 2019, a dance workshop for children with cerebral palsy takes place for the first time in Germany, more precisely at the Staatsballett Berlin.
\nLeonie and Hannah, two girls with very different manifestations of this early childhood brain injury, embark on their first big dance adventure together with eight other children. But what is possible for children with physical and sometimes also cognitive restrictions? And then at one of the best dance theaters in the world – the Staatsballett Berlin? The children give an impressive answer. They dance. In their own special way.
\nDancing means being happy. And that happiness makes the documentary “You bet I dance!” through the irrepressible zest for life of the children and the noticeable love of the parents formally tangible.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Lars Pape<\/td>\nDirector<\/td>\n<\/tr>\n
Lars Pape<\/td>\nWriter<\/td>\n<\/tr>\n
Loretta Stern<\/td>\nWriter<\/td>\n<\/tr>\n
Holger Sch\u00fcrmann<\/td>\nWriter<\/td>\n<\/tr>\n
Lars Pape<\/td>\nProducer<\/td>\n<\/tr>\n
Loretta Stern<\/td>\nProducer<\/td>\n<\/tr>\n
Holger Sch\u00fcrmann<\/td>\nProducer<\/td>\n<\/tr>\n
Lars Pape<\/td>\nEdit<\/td>\n<\/tr>\n
Alex Wendler<\/td>\nEdit<\/td>\n<\/tr>\n
WellCooked Audio I Jonas Gewald & Dejan Dukovski<\/td>\nScore<\/td>\n<\/tr>\n
Iana Salenko<\/td>\nKey Cast<\/td>\n<\/tr>\n
Maria Boumpouli<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div> \t\n\t\t \t<\/a>\n\t\t \t<\/div>\n\t\t<\/div>\n\t\t\n\t<\/div>\n<\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Official Selection Films 2021″ font_container=”tag:h2|text_align:center”][vc_custom_heading text=”Note: E-Certificates will be sent by e-mail to the submitters after the event” font_container=”tag:p|text_align:center”][vc_column_text]<\/p>\n

\n \n \n \n \n \n \n \n \n \n <\/colgroup>\n <\/table>\n \n \n \n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Trailers Season 2 \u2013 2021″ font_container=”tag:h2|text_align:center”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_video link=”https:\/\/vimeo.com\/221135949″][vc_custom_heading text=”Living Idle (Teaser)” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/3″][vc_video link=”https:\/\/vimeo.com\/369214341″][vc_custom_heading text=”Film Trailer: Flowers” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/3″][vc_video link=”https:\/\/vimeo.com\/337534145″][vc_custom_heading text=”The German King | Official Trailer” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_video link=”https:\/\/vimeo.com\/355836509″][vc_custom_heading text=”Pilate – Official Trailer” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/3″][vc_video link=”https:\/\/vimeo.com\/359128576″][vc_custom_heading text=”3 COUPS – LAST CALL \/\/ TRAILER ENG SUBS HC” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/3″][vc_video link=”https:\/\/vimeo.com\/345066116″][vc_custom_heading text=”A Bloody Mess – Teaser” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_video link=”https:\/\/vimeo.com\/225979113″][vc_custom_heading text=”TRILER LIMIT” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/3″][vc_video link=”https:\/\/www.youtube.com\/watch?v=RvEdrKUXUxo&feature=youtu.be”][vc_custom_heading text=”Love X Bites teaser” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/3″][vc_video link=”https:\/\/www.youtube.com\/watch?v=LHY3uc7G0O4″][vc_custom_heading text=”Official Trailer — “Behind the Name SHAKESPEARE: Power, Lust, Scorn & Scandal.“” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_video link=”https:\/\/vimeo.com\/396942173″][vc_custom_heading text=”Kiss the Ground” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/3″][vc_video link=”https:\/\/www.youtube.com\/watch?v=e8ovPB7f3E4″][vc_custom_heading text=”Sab Rab De Bande | Official Trailer | Documentary on LGBTQ Sikhs” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/3″][vc_video link=”https:\/\/www.youtube.com\/watch?v=irzyDAMKP6I”][vc_custom_heading text=”Sticker trailer” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_video link=”https:\/\/www.youtube.com\/watch?v=ab-_ZChgHnc”][vc_custom_heading text=”Dolopo is fine Trailer” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/3″][vc_video link=”https:\/\/www.youtube.com\/watch?v=WJv3HLVaQs0″][vc_custom_heading text=”SKIN Trailer” font_container=”tag:h5|text_align:center” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]

\n
\n \n \n \n <\/colgroup>\n <\/table>\n \n \n \n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Selected Scripts & Screenplays \u2013 2021″ font_container=”tag:h2|text_align:center”][vc_column_text]<\/p>\n

\n
\n \n \n \n \n \n <\/colgroup>\n <\/table>\n \n \n \n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Screening Schedule Season 2 \u2013 2021″ font_container=”tag:h2|text_align:center”][vc_column_text]<\/p>\n

3 APRIL 2021<\/h3>\n

Opening Ceremony- 10 AM to 11 AM<\/strong><\/h3>\n

Opening Film: SKIN (OSCAR WINNER) 11AM<\/strong><\/h4>\n

[\/vc_column_text][vc_column_text]<\/p>\n

BLOCK-1 3 April 11:30 AM to 1.00 PM<\/strong><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n
Title<\/th>\nCountry of Origin<\/th>\nCategory<\/th>\n<\/tr>\n
Paath (The Lesson)<\/td>\nIndia<\/td>\nPeace, Harmony, Human Rights and Women Empowerment<\/td>\n<\/tr>\n
Limit<\/td>\nIran, Islamic Republic of<\/td>\nPeace, Harmony, Human Rights and Women Empowerment<\/td>\n<\/tr>\n
XY<\/td>\nIceland<\/td>\nLGBT<\/td>\n<\/tr>\n
Feel India<\/td>\nMoldova, Republic of<\/td>\nMusic video<\/td>\n<\/tr>\n
D\u1eccL\u00c1P\u1ecc\u0300 IS FINE<\/td>\nUnited Kingdom<\/td>\nNarrative short<\/td>\n<\/tr>\n
Coastal Requiem<\/td>\nUnited States<\/td>\nClimate Change\/Environmental issues\/Health<\/td>\n<\/tr>\n
Save our Planet<\/td>\nIndia<\/td>\nAnimation<\/td>\n<\/tr>\n
If you love her, let her go<\/td>\nFrance<\/td>\nHorror, thriller, mystery<\/td>\n<\/tr>\n
The Pink Band<\/td>\nIndia<\/td>\nNarrative short<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

BREAK\u00a0 \u00a01:00 PM to 2:00 PM<\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

BLOCK-2 3 April 2 PM to 3.30 PM<\/strong><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
Title<\/th>\nCountry of Origin<\/th>\nCategory<\/th>\n<\/tr>\n
A Bloody Mess<\/td>\nCanada<\/td>\nPeace, Harmony, Human Rights and Women Empowerment<\/td>\n<\/tr>\n
LASTCALL<\/td>\nFrance<\/td>\nPeace, Harmony, Human Rights and Women Empowerment<\/td>\n<\/tr>\n
ECHO<\/td>\nIran, Islamic Republic of<\/td>\nAnimation<\/td>\n<\/tr>\n
STICKER<\/td>\nMacedonia, the former Yugoslav Republic of<\/td>\nNarrative Short<\/td>\n<\/tr>\n
Sab Rab De Bande (We’re all God’s Creation)<\/td>\nIndia<\/td>\nLGBT<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

BREAK\u00a0 3:30 PM to 4:00 PM<\/strong><\/h4>\n

[\/vc_column_text][vc_column_text]<\/p>\n

BLOCK-3 3 April 4 PM to 7 PM<\/strong><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
Title<\/th>\nCountry of Origin<\/th>\nCategory<\/th>\n<\/tr>\n
Living Idle<\/td>\nIndia<\/td>\nPeace, Harmony, Human Rights and Women Empowerment<\/td>\n<\/tr>\n
THE GERMAN KING<\/td>\nUnited States<\/td>\nNarrative Short<\/td>\n<\/tr>\n
Before I Die<\/td>\nIndia<\/td>\nClimate Change\/Environmental issues\/Health<\/td>\n<\/tr>\n
Wildlife- Our Lifeblood<\/td>\nIndia<\/td>\nClimate Change\/Environmental issues\/Health<\/td>\n<\/tr>\n
Hesar (Gate)<\/td>\nCanada<\/td>\nPeace, Harmony, Human Rights and Women Empowerment<\/td>\n<\/tr>\n
EXTERNAL<\/td>\nUnited States<\/td>\nNarrative feature<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

4 APRIL 2021<\/h3>\n

BLOCK-4 4 April 10 AM to 11:30 AM<\/strong><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
Title<\/th>\nCountry of Origin<\/th>\nCategory<\/th>\n<\/tr>\n
The Living Tableau<\/td>\nBelgium<\/td>\nNarrrative Short<\/td>\n<\/tr>\n
Love X Bites<\/td>\nMyanmar<\/td>\nLGBT<\/td>\n<\/tr>\n
Cigarette<\/td>\nIndia<\/td>\nClimate Change\/Environmental issues\/Health<\/td>\n<\/tr>\n
Braided Prayer: The Making Of White Moon<\/td>\nUnited States<\/td>\nPeace, Harmony, Human Rights and Women Empowerment<\/td>\n<\/tr>\n
We have to rethink everything<\/td>\nGermany<\/td>\nClimate Change\/Environmental issues\/Health<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

BREAK\u00a0 11:30 to 12 Noon<\/strong><\/h4>\n

[\/vc_column_text][vc_column_text]<\/p>\n

BLOCK-5 4 April 12 noon to 1:30 PM<\/strong><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
Title<\/th>\nCountry of Origin<\/th>\nCategory<\/th>\n<\/tr>\n
ENIGMA – The Fallen Angel<\/td>\nIndia<\/td>\nHorror, thriller, mystery<\/td>\n<\/tr>\n
Good Man – Honour your Father and Mother<\/td>\nItaly<\/td>\nHorror, thriller, mystery<\/td>\n<\/tr>\n
FLOWERS (dir. Daskarolis)<\/td>\nPoland<\/td>\nSci Fi<\/td>\n<\/tr>\n
The Patagonia Triple Crown<\/td>\nChile<\/td>\nClimate Change\/Environmental issues\/Health<\/td>\n<\/tr>\n
Exposure<\/td>\nNetherlands<\/td>\nLGBT<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

BREAK\u00a0 1:30 PM to 2:30 PM<\/strong><\/h4>\n

[\/vc_column_text][vc_column_text]<\/p>\n

BLOCK-6 4 April 2:30 to 4:15 PM<\/strong><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n
Title<\/th>\nCountry of Origin<\/th>\nCategory<\/th>\n<\/tr>\n
“Behind the Name SHAKESPEARE: Power, Lust, Scorn & Scandal”<\/td>\nUnited States<\/td>\nHistory<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Cultural Programme and Award Ceremony from 4:30 to 7:00 PM<\/h3>\n

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